Hander Lara

American painting – Page 203, from the series Art in Theory, 2015

Print on vinyl, PVC and wood, 95 x 78 x 8 cm.


  • Just as the pioneers of Dadaism and their conceptual heirs, Hander Lara presents a kind of work in which the idea occupies the main place, and not only that, but also the subversion of the kind of relationship to which it is opposed.

Hander Lara highlights the shortcomings, omissions, and strategies when legitimizing the history of art according to the paradigms of the modern age.